Acknowledgement of Country

I respectfully acknowledge the Traditional Custodians of the lands and waters upon which I live, work and create, the Wadawurrung and Dja Dja Wurrung peoples of the Kulin Nation. I value their inherent, abiding connection to country, community, and their cultural and artistic expression. I pay my respects to Elders past, present and emerging, and extend this to all Aboriginal, Torres Strait Islander and First Nation peoples.

Jan is a Melbourne-born ceramic artist whose creative journey is deeply influenced by the history, philosophy, and aesthetics of East Asian ceramics dating from the 15th century.

In homage to this rich tradition, Jan's ceramics are characterised by rhythm and movement, creating a dynamic interaction between form and viewer. The interplay of shapes, lines, and textures within each piece invites observers into a world where aesthetics and history merge seamlessly.

Drawing inspiration from patterns influenced by both human activities and environmental forces, Jan is particularly intrigued by the concept of "the ripple effect." This notion, exploring the ongoing and spreading impact of events and actions, is a central theme in Jan's artistic enquiry.

In Ballarat, designated a UNESCO Creative City of Crafts and Folk Art (2019), Jan completed a Graduate Diploma of Ceramics under the guidance of accomplished mentors Peter Pilven and Koji Hoashi at Federation University, Australia.

Based in her home studio and at Federation University as an Honorary Alumni Artist in Association, Jan continues to explore the synergy of form, texture and glaze with hand built and wheel thrown works.  Shino and gloss glazes hold a particular interest.  

Image “Spirit” stoneware vessel, H19 x W10 cm

“Each piece is meticulously formed over time, embodying a dialogue between inner reflection and outward expression - a singular work inviting thoughtful connection”


BSG

Abundance I & II stoneware vessels, Shino glaze, H32 x D10 cm each.

Created through an oscillating tension between certainty and uncertainty, this vessel pair conveys my fluctuating vision of frustration and satisfaction. Layered Shino glazes challenge expectations, evoking mixed reactions, yet subjective nuances appear through the abundant interplay of chaos, clarity, and the entwining cycles of transformation as I continually seek balance.

Available in BSG store.

Brunswick Street Gallery
Level 1 & 2, 322 Brunswick Street
Wurundjeri Country, Fitzroy VIC 3065 Australia

Tue–Sat 10am–5pm
Sun 11am–4pm
Closed Mondays

L “Waves of silence” hand sculpted vessel, stoneware, cobalt glaze, H26 x W11 x D11 cm

R “Silent tides” hand sculpted vessel, stoneware, cobalt glaze, H23 x W10 x D10 cm


Vale Peter Pilven

28th April 1956 - 18th December 2024


A deeply inspiring and talented artist, Pete’s knowledge, guidance, creativity, and kindness left a lasting impact on everyone he taught and worked with. He was a good friend to many, and his passion for the arts and dedication to fostering growth in his students will always be remembered.

My heartfelt condolences go out to his children, Ruby and Jack, his grandchildren, and all his family, friends, and the creative community during this sudden and difficult loss.

Pete’s influence on my work is profound, and I am deeply grateful for the opportunity to learn from him. I owe him so much and will carry his guidance with me always.

Beasts opening Gallery 10, May 2024

photo Linda Franklin



Ceramic blue bowl repaired with copper wire & found quartz + textile quilted discarded tea towel with local property guide.  Collaboration with Jem Olsen speaking to societal shifts impacting sense of place, connection & self.

FINALIST

2024 Infuse Art Prize

Ross Creek Gallery

7 - 22 December

Textile artist Jem Olsen and I collaborated on Reclaimed, our work exploring identity, belonging, and societal change. We were honoured to be selected as finalists for the 2024 Infuse Art Prize.

Reclaimed unites two artists—one ceramic, one textile—to explore the shifting meaning of home and identity in modern society through the lens of reconstruction and change.

The fractured ceramic bowl symbolizes the "home" of self-identity and the process of transforming brokenness to reclaim individuality and build strength. The gentle waves and depth of blues suggest that compassion and understanding are essential foundations for restoring comfort and a sense of belonging to a once-broken spirit.

In contrast, the textile piece critiques Australia’s property boom, crafted from local property guides and discarded tea towels. Through collage and quilting, it reveals the tension between the traditional comforts of home and the growing commodification of property as a financial asset.

As home ownership becomes a measure of success or status, materialism often displaces deeper values like togetherness, security, and emotional support. The unchecked pursuit of financial stability can lead to fractured relationships, isolation, and a decline in the importance of nurturing social connections, which are essential to a healthy society.

Together, these works prompt reflection on the intertwined values we place on both personal identity and home. They invite the viewer to question what ethical values have been lost or altered over time and how they might be reclaimed.


The work alludes to Earth’s inherent temporary and permanent undulations created by the movement of wind, and or, water currents. These currents become visible within the ocean, across its surface, upon it’s floor; in cloud formations, geological structures and sand dunes - to name a few.

The patterns formed by these currents are mesmerising, distinguished by their own unique, rhythmic beauty of balance, uniformity of flow and the juxtaposition where ornamental repetition breaks, or simply falls away.

The forms are meant to be touched, to be held, and visually imply a subjective invitation for the mind to rest.

Ocean

Senses alert to mercurial patterns

Gaze held captive by horizon, released by intermittent lines of impending swells. Salt laden air sweeps contours, navigates lungs

Just breathe

Icy shallows ensnare bare ankles, corrugated sand greets receptive soles

Waves break, a rhythmic crescendo dissolving into effervescent retreat. Momentary quietness

Until the pattern repeats


Gallery

2019  “Expressions of Landscape”

Backspace Gallery | Art Gallery of Ballarat

Testimonial

“Jan’s ceramics are different from any I’ve seen before. I love the movement and energy, reminding one of the ocean, sand, water and the desert.”

- Liz Blizzard, Artist


Enquiry welcomed

Available for exhibition and purchase. Please use the contact link below to request further information.

Photos by Tim Gresham, Jan Alexander

All images and text belong to Jan Alexander ©

28 February 2025 - Website regularly updated, please pop back.